Hi all, this is going to be a big one because the SP404mk2 has each pad bank on its own, with each MFX & buss FX on corresponding midi channels & its chromatic mode on channel 16.
As such it’s kinda wasteful with the Pyramid, setting up all of these wipes out most of a midi-out port. I really only use banks A & B for finished/playback samples. Other banks are for chopping & resampling etc. I wish Roland had followed the 404sx’s midi implementation & kept it to 2 channels with ascending notes across each pad bank. Those are my excuses for not testing most of this.
If you find any errors, hit me up & I’ll fix it.
NAME:404MK2A
OUT:B
CHANNEL:1
16:BUS1_C1
17:BUS1_C2
18:BUS1_C3
19:BUS1_ON
80:BUS1_C4
81:BUS1_C5
82:BUS1_C6
83:BUS1_SEL
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2B
OUT:B
CHANNEL:2
16:BUS2_C1
17:BUS2_C2
18:BUS2_C3
19:BUS2_ON
80:BUS2_C4
81:BUS2_C5
82:BUS2_C6
83:BUS2_SEL
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2C
OUT:B
CHANNEL:3
16:BUS3_C1
17:BUS3_C2
18:BUS3_C3
19:BUS3_ON
80:BUS3_C4
81:BUS3_C5
82:BUS3_C6
83:BUS3_SEL
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2D
OUT:B
CHANNEL:4
16:BUS4_C1
17:BUS4_C2
18:BUS4_C3
19:BUS4_ON
80:BUS4_C4
81:BUS4_C5
82:BUS4_C6
83:BUS4_SEL
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2E
OUT:B
CHANNEL:5
16:INPT_C1
17:INPT_C2
18:INPT_C3
19:INPT_ON
80:INPT_C4
81:INPT_C5
82:INPT_C6
83:INPT_SEL
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2F
OUT:B
CHANNEL:6
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2G
OUT:B
CHANNEL:7
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2H
OUT:B
CHANNEL:8
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2I
OUT:B
CHANNEL:9
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
NAME:404MK2J
OUT:B
CHANNEL:10
N35:EXT
N36:P13
N37:P14
N38:P15
N39:P16
N40:P09
N41:P10
N42:P11
N43:P12
N44:P05
N45:P06
N46:P07
N47:P08
N48:P01
N49:P02
N50:P03
N51:P04
Chromatic mode note names are how many semitones down/up a sample is pitched:
NAME:404MK2CH
OUT:B
CHANNEL:16
N36:11-
N37:10-
N38:09-
N39:07-
N40:07-
N41:06-
N43:05-
N44:04-
N45:03-
N46:02-
N47:01-
N48:CENTRE
N49:01+
N50:02+
N51:03+
N52:04+
N53:05+
N54:06+
N55:07+
N56:08+
N57:09+
N58:10+
N59:11+
N60:12+