Hi everyone,
I know this topic has come up before, but I’d love to focus specifically on workflow experiences when using external drum machines with 8+ parts, especially when combining them with polyphonic sequencing.
For example, units like the Korg Sample (and similar multi-part drum machines) let you sequence multiple voices, but I’m curious how people approach this when trying to use poly features creatively rather than just one-note-per-track drum programming.
Some things I’d love to hear about:
• Do you sequence each drum part monophonically, or do you intentionally use poly tracks to trigger layered sounds?
• Any tips for using polyphony for chords or stacked hits (like layered snares, tuned percussion, etc.)?
• Do you prefer one track per drum voice, or grouping multiple sounds per track and relying on poly?
• How do you handle velocity and articulation when multiple hits share a track?
• Does poly sequencing help or complicate your workflow?
I’m especially interested in:
-
faster performance workflows
-
live jamming setups
-
creative use of poly for drum textures
-
avoiding note overlap issues
Even though this is a common topic, I’d really like to dig into how people actually work day-to-day, not just which device is better.
Any tricks, lessons learned, or “aha” moments would be super helpful 
Thanks!
If you tell me:
-
which sequencer you’re using
-
or which drum machine besides Korg Sample
…