Overall my experience has been a little cold trying to get effective polyrhythms going, specifically poly meters.
Any tips for either? What percentages to use?
Overall my experience has been a little cold trying to get effective polyrhythms going, specifically poly meters.
Any tips for either? What percentages to use?
noodling around with my 303 clone for a few hours in Step Mode, polymeters seemed better achieved by using the loop point functions for a given pattern to shorten it below 4/4 (elasticity only appeared to slow or speed up the pattern relatively)
Loop points
Loop points allow you to set up in real-time where your pattern begins and ends. Only the pattern inside your loop points will be played. You can set different loop points for every pattern within every track.
When composing, it is a great way to loop a small part you want to focus on. When performing, you can play with track positions and create interesting effects like beat repeats or polymeters.
Warping comes in handy when playing around with loop points
When a multiple-events selection is active, you can warp your events in time by using + and - .
In other words, you can compress or expand rhythms.
Example 1
The three events now span four 16th notes, and are still regularly spaced, which results in triplets.
![](data:image/svg+xml;charset=utf-8,%3Csvg height=β185β width=β562β xmlns=βSVG namespaceβ version=β1.1β%3E%3C/svg%3E)
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Example 2
The five events now span four 16th notes, and are still regularly spaced, which results in quintuplets.
![](data:image/svg+xml;charset=utf-8,%3Csvg height=β171.99999999999997β width=β773β xmlns=βSVG namespaceβ version=β1.1β%3E%3C/svg%3E)
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Of course, you can press + and - multiples times, and program complex rhythms, polyrhythms and swings easil
Really good idea, I wonder if thatβs a work around of sorts or intentional polymeter tool so to say.
I would like to find a good use for elasticity too I suppose, it seems very intentional and Iβm trying to understand the usefulness.
I think elasticity is good for ambient sounds where no βrhythmβ present.
blips and blorps slowly shifting, drones droning, etcβ¦
I think this question is why one could ask for fractions instead of (or as well as) percentages. Fractions is in the DNA of rhythm.
Agree!
I use fugue machine on iPad it makes this easy and is very musical
You can reproduce this on hapax but I think to use elasticity it would need to have a bigger range than 50-200
Basically you copy a pattern then stretch or shrink each one as you mentioned and select octaves, speed direction etc.
iOS app by Alexandernaut